#CAPRICORN ONE TWO DIFFERENT NOVEL MOVIE#

A wanderer in a bookstore might spot a paperback copy of Blockbuster Film You Kinda Enjoyed and think to herself, “Hey, this might be a fun airplane read.”īut there aren’t as many bookstores to wander in these blighted times and with the gap narrowing between the time of a film’s release and its DVD/Blu-ray popping up in the impulse item rack of the supermarket, the niche genre of the novelization has entered a slow death cycle.

#CAPRICORN ONE TWO DIFFERENT NOVEL MOVIE#

Movie novelizations are marketing after-thoughts and I think most readers pick them up as after-thoughts as well.

I have never watched a movie and then immediately felt an urge to “Read the Jove Paperback” (or whatever publisher released the tie-in). At times it is compelling, but it drifts back and forth between too many different story threads and never comes together as a whole not to mention a limp ending that leaves no impact.By Fritz Leiber, from a Screenplay by Clair Huffaker The story has its moments, but I would’ve preferred if it had been a little more focused. Gish and Ford offer a surprisingly profound moment when they follow a procession of singing happy young children into a forum for what they think will be a religious ceremony only to find to their shock that everyone is there to witness a firing squad execution instead. Jacques, James Earl Jones, Cicely Tyson, George Stanford Brown, and Zakes Mokae. The supporting cast is excellent and this is a great chance to see up-and-coming African American actors when they were just starting out including: Raymond St. If this is supposed to be a Taylor/Burton picture then the two needed equal screen time and prominent roles instead of one being relegated to what seems like only a minor part. Unfortunately she is not seen enough and appears only sporadically throughout. She made many bad film choices later her in career that ended up stigmatizes her acting reputation, but if given the right script and a competent director she could clearly convey an onscreen brilliance, which she does here. Taylor on the other hand is quite strong and manages to speak with an authentic sounding German accent. His presence is quite aloof and conveys little emotion to the point that he seems to be just walking through his role and mouthing his lines. I like Burton and consider him in most productions that he has been in to be a very strong actor, but here he doesn’t seem into the part at all.

The acting though by Richard Burton is atrocious and a major hindrance. The contrast of the serene tropical landscape juxtaposed with the abject poverty of its citizens is stunning with the most impactful moment coming when they visit Duvalierville a planned city with expensive buildings and homes being constructed with poor homeless people scurrying around begging for money as the structures go up. Because of the political environment going on in Haiti the producers were not allowed to film there and instead choose the small African country of Benin, which was still called the Republic of Dahomey at the time, as their substitute setting. What grabbed my attention was the vivid on-location shooting that gives the movie an interesting visual appeal. The film ebbs-and-flows unevenly and isn’t compelling despite some strong moments here and there. His ongoing affair with the wife (Elizabeth Taylor) of a South American diplomat (Peter Ustinov) risks him further trouble as does his friendship with an illegal arms dealer (Alec Guinness).

Ford, Lillian Gish) with strong political connections.

He must deal with the suicide of a government official that occurs on his grounds in his pool as well as a visiting American couple (Paul J. He has spent years avoiding the political turmoil of the region and the Francois ‘Papa Doc’ Duvalier regime, but finds now that the walls may finally be closing in. Based on the novel by Graham Greene the film centers on Brown (Richard Burton) an emotionally detached British hotel owner residing in Haiti.

Capricorn one two different novel